Name: Luis Galindo
Hometown: Alvin, TX
Residence: Houston, TX
What is your earliest memory of writing?
My earliest memory of writing would be writing a letter to Santa Claus in the first grade, I think, and asking him how the reindeer and Mrs. Claus were doing and then launching right into my wish list of Star Wars action figures and skateboards and footballs and the like.
How did you become a writer?
I became a writer when the stage became too small. I am an actor by training and trade and the need to seek out new avenues of self-expression became overpowering. I can’t paint worth a damn and my musicianship has remained at novice level for decades, so I picked up a pen, instead.
I was a member of a popular Shakespeare company in Los Angeles and I did Shakespeare plays almost exclusively for years, and then one day, even the bard’s words weren’t enough for me anymore, I wanted to say what was on my mind, I needed to, so I started writing down ideas. The words came out with melodies, initially and I thought, “ Oh, I am supposed to write songs.” but then the melodies went away but the words kept coming, so I became a poet instead due to the thoughts learning to take the path of least resistance from mind to page.
Tell us about your writing process.
The writing process is tricky. I sit down with every intention of writing a poem and I will just start. Writing freely and trying not to think too much. Then the idea will present itself, maybe in a phrase or a pair of words and that will lead me to the shape of what it is that is trying to get out, or an idea that I am trying to make, make sense. Other times the poems won’t let me sleep at night and I have to get them out or I know they will be gone forever. Also, if I let them linger too long I will lose interest or they will transform into something less powerful to me. Sometimes I just have to stop for a while and let the ideas percolate. Other times I will hear a word or a phrase in a conversation or on the news that will send me down a poem rabbit hole and I just follow it, hoping to find something worthwhile.
What are you working on now?
Right now I am working on a new collection of poems. It will be released in the next few months.
A very good friend of mine who lives in Los Angeles is editing it for me. (He also edited the first collection I wrote) We are almost done now. It is called Grace and Fury and right now is at about 60 pieces and I have no doubt that number will decrease in the next few weeks.
Have you ever suffered from writer’s block?
I suffer from writer’s block a lot and it is no fun. I try to be patient and keep at it but sometimes the sense of defeat is so much that I just want to quit all together. Other times, I am able to write my way out.
Which writers and teachers have most influenced you as a writer?
The writers and teachers that have influenced me the most have been Juan Felipe Herrera, Dylan Thomas, Bukowski (I know, I know, but I believe he is truly great). Right now Matthew Dickman is what I am reading. I am really into his work right now.
I’ve never taken a writing class before. I think I probably should.
What books have had the biggest impact on your trajectory?
I would say the books that have had the biggest impact on me have been Book of Lives by Juan Felipe Herrera, I was blown away from the first page and immediately re-read the whole thing as soon as I finished it.
Burning in Water, Drowning in Flame by Charles Bukowski—This one was a game changer. I was young and confused and dark and sad and this book made so much sense to me that it has remained one of my all-time favorites. It is very special to me.
Two books that are not poetry, yet I cannot escape from are Sexus by Henry Miller and Blood Meridian (Or the Evening Redness in the West) by Cormac McCarthy
Miller shook me up in a way that made me question everything I believed and made me laugh and cry while doing it. Truly magnificent.
As for Blood Meridian, well, it is a book that is so terrifying, so horribly powerful that I have to put it down after just a few pages of reading. I re visit it from time to time, but, only in small doses. Downright Biblical. These two books have impacted me as greatly as any music, painting or poem anytime anywhere.
What’s your advice to aspiring writers?
My advice to aspiring writers is, try to stop sounding like your influences as soon as possible. You have a voice and it’s the one we need right now.
Luis Galindo in “The Elaborate Entrance of Chad Deity” at Stages Rep in 2015