Tag Archives: 50 Playwrights Project

Daily Cougar Profile

Profile Friday: Hispanic studies professor elevates Latinx playwrights

By: Doug Van

September 23, 2016

If ever there was proof that you don’t need to choose between work and love of the arts, you can find it in Trevor Boffone.

As a lecturer in both the Hispanic Studies and the Women’s, Gender, and Sexuality Studies Departments, Boffone has found a way to also make theater an important part of what he does. While his paid work at UH does not necessarily dovetail with his dramaturgical endeavors, he has become a passionate advocate.

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“The Stories of Us” by Jelisa Jay Robinson

Stories of Us 2

Somewhere around the middle of Jelisa Jay Robinson’s The Stories of Us at Teatro Vivo in Austin, it hit me. I couldn’t recall seeing a play that so boldly tackled Blackness, Latinidad, and Afro-Latinidad. Sure, I’ve seen plays with Afro-Latin@ characters and lots of Latin@ plays, but nothing quite like The Stories of Us. Black. Brown. Neither. Both. The Stories of Us offers a rich and nuanced view of life in the contemporary United States. These are stories that need to be told all across the nation, from Los Angeles to New York and everywhere in between. Produce this play!

The Stories of Us began as The Untold Stories while Robinson was still an undergrad Theatre and Latin American Studies major at the University of Texas at Austin. The play was later selected for Teatro Vivo’s Austin New Latino Play Festival in 2015 and received a full production this April-May under the direction of Florinda Bryant. The play is a series of vignettes that explores the intersections between Blackness and Latinidad and how this complex relationship continues to influence these (sometimes) overlapping communities today.

Besides “The Wobble” and knockout performances from Stacye Markey and Krysta Gonzales (who I finally got to meet!), what struck me the most about the play was Robinson’s writing. This girl has got it! She is doing important work to update the narrative on multicultural identity in 2016. As The Stories of Us demonstrates, we need to be having conversations about Afro-Latinidad. We need to understand the nuances of being Black in America, being “black enough,” having that “good hair,” being Latin@, speaking Spanish, having light skin, being racialized, passing, and using certain language (the play includes a poignant vignette about using the “n” word). Yet, why in 2016 are these conversations so few and far between in theatre, especially  in Latin@ theatre? Why isn’t there more Afro-Latinidad on stage?

Aside from the play itself, perhaps my favorite part of seeing The Stories of Us was witnessing a young artist find success by telling her stories, her truths. Robinson is living her dream and it’s beautiful to witness! I first met Robinson earlier this year and, through a combination of happenings, she has quickly become an important part of my writing community in Houston. My tribe—Jasminne Mendez, Icess Fernandez Rojas, Lupe Méndez, Josh Inocéncio, and, now thankfully, Jelisa Jay Robinson.

Stories of Us