Tag Archives: Ham4Ham

#Syllabus4Ham: The HAMILTON Syllabus

When Lin-Manuel Miranda’s Hamilton debuted at The Public Theater in early 2015 it sparked a resurgence of theatre into the national zeitgeist, something unseen since Rent premiered in 1996. Seemingly everyone is talking about Hamilton. In fact, at the Final Four in Houston this past April I overheard two men discussing the musical during halftime of Villanova’s buzzer-beating win over North Carolina.

Hamilton is everywhere.

Including the classroom. One night while teaching my elementary Spanish course at the University of Houston, on a whim, I cut short my lesson about the preterite vs the imperfect and decided to introduce my students to Hamilton. The result? They loved it. While they seemed apprehensive about watching musical theatre clips on YouTube, they left the classroom with a newfound opinion about what a musical could be.

Seeing my students’ interest in Hamilton, I did a google search for “Hamilton syllabus.” While there is a syllabus, or a reading list, for nearly every current pop culture phenomenon, nothing exists on Hamilton. Until now.

The Hamilton Syllabus (#Syllabus4Ham) is organized according to the following resources: Criticism, Perspectives, Ham4Ham, and Interviews (with Alex Lacamoire, Javier Muñoz, Renée Elise Goldsberry, and Lin-Manuel Miranda). I have limited my syllabus to resources that speak exclusively to the musical and it is my hope that someone else will create another syllabus that includes critical race theory, feminist theory, queer theory, performance theory, etc. to frame a critical discussion about Hamilton.

Whether you find yourself looking to include Hamilton in your high school or university classroom, want to write the next great musical, or just want to read more about the show, the resources below provide a starting point for conversations about Hamilton.

Hamilton 1

Criticism

Racializing the American Revolution Review of the Broadway Musical Hamilton – Donatella Galella (Advocate)

Why Hamilton is Not the Revolution You Think it is – James McMaster (Café Onda/HowlRound)

Race-Conscious Casting and the Erasure of the Black Past in Lin-Manuel Miranda’s Hamilton – Lyra Monteiro (The Publican Historian)

Hamilton: the Musical: Black Actors Dress Up like Slave Traders…and It’s Not Halloween – Ishmael Reed (counter punch)

Hamilton– Stacy Wolf (The Feminist Spectator)

Hamilton missed a chance to highlight Haitian Revolution – Chinua Thelwell (Miami Herald)

Hamilton: Five Ways Lin-Manuel Miranda’s Hip-Hopped History Musical Breaks New Ground – Jonathan Mandell (HowlRound)

Father Worship: Hamilton’s New World scripture – Peter Manseau (The Baffler)

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Perspectives

Hamilton, Theatre, and Democracy in America – Patricia Herrera (Café Onda/HowlRound)

A Hamilton Skeptic on Why the Show Isn’t As Revolutionary As It Seems – Rebecca Onion (Slate)

Watching A Brown ‘Hamilton’ With A White Audience – Gene Demby (NPR)

‘Hamilton’: Meet the Man Behind Broadway’s Hip-Hop Masterpiece – Brian Hiatt (Rolling Stone)

The Making of the Hamilton Cast Album – CBS News

Questlove on ‘Hamilton’ and Hip-Hop: It Takes One – Ahmir Questlove Thompson (Rolling Stone)

Exploring ‘Hamilton’ and Hip-Hop Steeped in Heritage – Anthony Tommasini and Jon Caramanica (New York Times)

How ‘Hamilton’ Is Revolutionizing the Broadway Musical – Alisa Solomon (The Nation)

Non-stop Between Subway Stops: Underground Reflections on Hamilton – Oscar A. L. Cabrera (Café Onda/HowlRound)

Mi tierra, my testimony: a #HamilTestimonio – Rebecca Martínez (Café Onda/HowlRound)

Ham4Ham

Ham4Ham

Ham4Ham: Taking Hamilton to the Streets – Trevor Boffone (Café Onda/HowlRound)

Hamilton’s Ham4Ham Preshow: The Complete Compendium (So Far) – Laura Reineke (Vulture)

The Show Is Nonstop – Forrest Wickman (Slate)

Broadway hit ‘Hamilton’ has a Web win on its hands – Rae Votta (Daily Dot)

Hamilton Collage

Alex Lacamoire

Que Onda? with Alex Lacamoire, music director of Hamilton – Trevor Boffone (Café Onda/HowlRound)

The man behind the “Hamilton” sound: Hidden Beatles references, the “hip-hop horse” sample and why if “it’s all computerized, there’s no heart to it” – Suzy Evans (Salon)

Nerding Out With Hamilton Musical Director, Alex Lacamoire – Nate Jones (Vulture)

Javier Muñoz

Interview with Javier Muñoz – Marisela Treviño Orta (Café Onda/HowlRound)

Javier Muñoz on What It’s Like to Play Alexander Hamilton When Lin-Manuel Miranda Isn’t – Jessica Goldstein (Vulture)

Renée Elise Goldsberry

An Interview with Renée Elise Goldsberry – Victoria Myers (The Interval)

Lin-Manuel Miranda

Genius: A Conversation With ‘Hamilton’ Maestro Lin-Manuel Miranda – Rembert Brownie (Grantland)

How Lin-Manuel Miranda Shapes History – Edward Delman (The Atlantic)

Ham4Ham: Taking Hamilton to the Streets

Ham4Ham

Lin-Manuel Miranda reading Alexander Hamilton. The cast of Fun Home rapping. A Spring Awakening reunion. The “Confrontation” from Les Mis. Lin-Manuel Miranda and Lea Salonga singing “A Whole New World.” Okieriete Onaodowan singing “Defying Gravity” as Mickey Mouse. Alex Lacamoire playing the melodica. You didn’t know you wanted it, but when you got it, you loved it.

I’ve been to many lotteries (won a few, lost a lot). It’s usually uneventful. A theatre employee collects names on paper slips, pulls them out of a bucket, calls out the winners, the winners do some sort of awkward celebration (guilty as charged), and that’s about it, folks.

Enter Lin-Manuel Miranda.

Continue reading at Café Onda/HowlRound.