Demanding Action and Attention to Latina/o Theatre in Dallas: Deferred Action by David Lozano and Lee Trull
“Why hasn’t Congress passed an immigration reform bill that would protect the DREAMers and their families?” This is the central premise of Deferred Action, a new play co-written by David Lozano (Artistic Director of Cara Mía Theatre Company) and Lee Trull (Director of New Play Development at the Dallas Theater Center). Deferred Action played at the Dallas Theater Center’s Wyly Theater from April 20-May 14 under the direction of David Lozano. Deferred Action is the second piece in a trilogy on immigration that Cara Mía began with The Dreamers: A Bloodline (2013), which tells the story of a mother fleeing El Salvador for the United States with her baby—a key part of Deferred Action’s plot.
Democrats. Republicans. Politicians. Activists. No one is left unscathed.
The collaboration between Dallas Theater Center (DTC) and Cara Mía began in 2009 when newly-minted DTC Artistic Director Kevin Moriarty attended Cara Mía’s production of Crystal City 1969, a company-devised play that dramatizes the Chicana/o civil rights movement in South Texas. Moriarty approached Lozano about both companies working on a new play that would continue Cara Mía’s work of staging Latina/o political history. This is the first collaboration between Dallas’s leading regional theatre and one of its leading Latina/o theatres, a unique collaboration that has involved Lozano and Trull co-writing the piece and a production that features actors from both theatre companies. Indeed, one of the most powerful parts of Deferred Action is seeing several Cara Mía company members make their DTC and major regional theatre debuts.
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