Monthly Archives: October 2016

Artist Profile: Luis Galindo

Name: Luis Galindoluis-galindo

Hometown: Alvin, TX

Residence: Houston, TX

What is your earliest memory of writing?

My earliest memory of writing would be writing a letter to Santa Claus in the first grade, I think, and asking him how the reindeer and Mrs. Claus were doing and then launching right into my wish list of Star Wars action figures and skateboards and footballs and the like.

How did you become a writer?

I became a writer when the stage became too small. I am an actor by training and trade and the need to seek out new avenues of self-expression became overpowering. I can’t paint worth a damn and my musicianship has remained at novice level for decades, so I picked up a pen, instead.

I was a member of a popular Shakespeare company in Los Angeles and I did Shakespeare plays almost exclusively for years, and then one day, even the bard’s words weren’t enough for me anymore, I wanted to say what was on my mind, I needed to, so I started writing down ideas. The words came out with melodies, initially and I thought, “ Oh, I am supposed to write songs.” but then the melodies went away but the words kept coming, so I became a poet instead due to the thoughts learning to take the path of least resistance from mind to page.

Tell us about your writing process.

The writing process is tricky. I sit down with every intention of writing a poem and I will just start. Writing freely and trying not to think too much. Then the idea will present itself, maybe in a phrase or a pair of words and that will lead me to the shape of what it is that is trying to get out, or an idea that I am trying to make, make sense. Other times the poems won’t let me sleep at night and I have to get them out or I know they will be gone forever. Also, if I let them linger too long I will lose interest or they will transform into something less powerful to me. Sometimes I just have to stop for a while and let the ideas percolate. Other times I will hear a word or a phrase in a conversation or on the news that will send me down a poem rabbit hole and I just follow it, hoping to find something worthwhile.

What are you working on now?

Right now I am working on a new collection of poems. It will be released in the next few months.

A very good friend of mine who lives in Los Angeles is editing it for me. (He also edited the first collection I wrote) We are almost done now. It is called Grace and Fury and right now is at about 60 pieces and I have no doubt that number will decrease in the next few weeks.

Have you ever suffered from writer’s block?

I suffer from writer’s block a lot and it is no fun. I try to be patient and keep at it but sometimes the sense of defeat is so much that I just want to quit all together. Other times, I am able to write my way out.

Which writers and teachers have most influenced you as a writer?

The writers and teachers that have influenced me the most have been Juan Felipe Herrera, Dylan Thomas, Bukowski (I know, I know, but I believe he is truly great). Right now Matthew Dickman is what I am reading. I am really into his work right now.

I’ve never taken a writing class before. I think I probably should.

What books have had the biggest impact on your trajectory?

I would say the books that have had the biggest impact on me have been Book of Lives by Juan Felipe Herrera, I was blown away from the first page and immediately re-read the whole thing as soon as I finished it.

Burning in Water, Drowning in Flame by Charles Bukowski—This one was a game changer. I was young and confused and dark and sad and this book made so much sense to me that it has remained one of my all-time favorites. It is very special to me.

Two books that are not poetry, yet I cannot escape from are Sexus by Henry Miller and Blood Meridian (Or the Evening Redness in the West) by Cormac McCarthy

Miller shook me up in a way that made me question everything I believed and made me laugh and cry while doing it. Truly magnificent.

As for Blood Meridian, well, it is a book that is so terrifying, so horribly powerful that I have to put it down after just a few pages of reading. I re visit it from time to time, but, only in small doses. Downright Biblical. These two books have impacted me as greatly as any music, painting or poem anytime anywhere.

What’s your advice to aspiring writers?

My advice to aspiring writers is, try to stop sounding like your influences as soon as possible. You have a voice and it’s the one we need right now.

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Luis Galindo in “The Elaborate Entrance of Chad Deity” at Stages Rep in 2015

Artist Profile: Hugo Esteban Rodríguez

Name: Hugo Esteban Rodríguez Castañeda

Hometown: Heroica Matamoros, Tamaulipas, Mexico; and Brownsville, Texas, U.S.A. To clarify, I was born and raised in Matamoros but came to adulthood in Brownsville, so I’m both from Mexico and the Rio Grande Valley.

Residence: Houston, Texas.

What is your earliest memory of writing? I want to say writing bad fan-fiction when I was 12, but I also have vague memories of the year before, being in the fifth grade and writing my own “school newspaper” and reporting on elementary school drama.

How did you become a writer?

I grew up surrounded by books and learned to love them because of my father and grandfather. It was only a natural jump to go from seeing how much books could do for people to wanting to evoke that same kind of feeling myself. I think the best way I can explain this is when I was reading the Harry Potter series as a kid, I felt actual regret that I couldn’t go to Hogwarts. I’ve always been enthralled by superheroes and supervillains, so I believe that being able to create those emotions with just your words is as close as I’ll get to actual superpowers. Plus, if videogames have taught me anything, it’s that getting bombarded with heavy doses of radiation isn’t exactly healthy.

Tell us about your writing process.

It’s a two-part process given that I am both a poet and a writer. For my poetry, I write out my poems in a journal I carry with me most of the time. Then I let them sit there for a week, then once the week passes, I take a look at the poem again and type it up. If I like it, I’ll save it in a ‘holding’ folder on my computer, then revisit it in a week and if it is good enough, I add it to my collection. If it at any point in the process I don’t like it, I’ll salvage what I can and then I start over.

For my fiction, I have a much more simpler approach. I just channel the inner voice that goes, “Wow! Wouldn’t it be cool if…” and write stories on that without placing limits on how weird, boring, or strange something is. I have a piece out that’s based on a time-traveling swimming pool. I have another that’s an ode to alienation featuring a man that is also a car, and I recently wrote a story about skin cells in a mattress. Hell, sometimes I’ll just stack up two poems together and make a story out of it.

What are you working on now?

A lot! My main focus right now is seeking representation for my first manuscript, a collection of short stories with the common theme of mental illness. My other projects include writing more flash fiction in the hopes of creating a second short story collection. I’m also planning on finishing the edits to my poetry manuscript. And ALSO I just added a vlog component to my website, so I’ve been pretty busy outside my day job.

Have you ever suffered from writer’s block?

There are two kinds of writers: Those who have struggled with writer’s block; and damn liars.

Which writers and teachers have most influenced you as a writer?

I’m blessed that every teacher I’ve had has influenced me in one way or another. But I’d like to take some time to honor them. In elementary school, my teacher Ms. Diaz really emphasized the importance of reading and writing. In high school, Mrs. Saenz really reinforced the importance of having discipline, which is absolutely instrumental for any writer. In college, Azenett Cornejo was the program coordinator for the student newspaper where I worked throughout my undergraduate career. There’s a lot of lessons I learned from her that I still employ in my day-to-day life as both a writer and as a grown adult, but if there’s one trait she nurtured in me, was the importance of having an eye for detail and thinking on my feet. Finally, in my MFA program, I had the privilege and opportunity of learning under the tutelage of established poets and writers. If I’m picking two, I’m picking Sasha Pimentel and Daniel Chacón. Professor Pimentel taught me to love poetry, and Professor Chacón, was instrumental in placing me on the short story track I’m in.

What books have had the biggest impact on your trajectory?

  • Howard Zinn’s A People’s History of the United States
  • JK Rowling’s Harry Potter and the Goblet of Fire
  • William King’s Trollslayer (from the Gotrek and Felix series)
  • Stephen King’s On Writing
  • Erich Maria Remarque’s All Quiet on the Western Front
  • Benjamin Alire Saenz’s Everything Begins and Ends at the Kentucky Club

What’s your advice to aspiring writers?

There’s a lot of hard work involved in this field. There’s going to be some nights you’re going to pass out at your desk. There’s going to be times when you forget to eat. This field is going to take your blood, sweat, tears and time and…it’s going to be worth it. You are going to come up with something that’s going to make people feel and it is such a rewarding feeling when you see that. Another thing I’d advice is take on day jobs if you have to. There’s no shame in wanting to be gainfully employed while you work on a writing career. Some people glorify the “starving” part of “starving artist” and it’s a bit nonsensical. You don’t have to be homeless or unemployed to have the kind of hustle, hunger, and chip on shoulder necessary to thrive in this field.

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***For more on Hugo Esteban Rodríguez, see:

Daily Cougar Profile

Profile Friday: Hispanic studies professor elevates Latinx playwrights

By: Doug Van

September 23, 2016

If ever there was proof that you don’t need to choose between work and love of the arts, you can find it in Trevor Boffone.

As a lecturer in both the Hispanic Studies and the Women’s, Gender, and Sexuality Studies Departments, Boffone has found a way to also make theater an important part of what he does. While his paid work at UH does not necessarily dovetail with his dramaturgical endeavors, he has become a passionate advocate.

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